Eden Bloom – Interesting (live demo)

by Eden Bloom
Written December 2023
Recorded on MLK Day, Jan 20 2025
from Without a Book

Maybe it was the Reverend Doctor Martin Luther King that messed this up for me. I love myself in what I hope is a healthy way, but I see nothing in myself that gives me a sense of supremacy. Maybe that message that deep down we’re all the same sunk in and damaged my ability to think that somehow I’m more special or more deserving than anybody. Maybe his dream damaged me.

Maybe it was watching all the children I was supposed to hate playing hand in hand with kids who looked like me on public TV. Sanford and Son, Good Times and The Jeffersons are a part of the story. Maybe it was seeing the rise of Black folk on my TV in the seventies that did this to me. Maybe it was Roots. 7 years old, watching a man who looked like me commanding extreme damage be done on a Black guy who then ended up in reading rainbow, then Geordi from Star Trek TNG. Maybe stuff like that seeded the evils in my mind that now look a lot like critical race theory.

Maybe it was Paul and Stevie singing about black and white piano keys, remember? “Ebony and ivory, living in perfect harmony.” Maybe that so badly damaged my psyche that now I want to open borders and give all your stuff away to people in need.

Maybe it was learning how to read.

I don’t know what got me to fall for it, justice, equity, standing up and working for what is pretty much black, white and right.

Maybe it was those ‘tribal beats’ that rattled my brains…… I know Apollonia on the banks of Minnetonka got me thinking a little differently. Maybe it was those European guys with empathy and synthesizers like Depeche Mode that messed me up to the point that I have zero desire to kill anybody. “People are people so why should it be you and I should get along so awfully.”

Maybe it was the Detroit Institute of Arts, or maybe the zoo, public institutions notably too, that got me thinking about “other” people and “other” places in a respectful way. I know a subpoena should be sent for the idea that “You’ve gotta have art” and that we can become living breathing social commentary. These ideas, these institutions radicalized me.

Maybe it was David Carradine and fake Kung Fu or the white women doing yoga at 5 am on the basement TV, that got me thinking “other” cultures might be holding some of the healing I was seeking, and needing.

Maybe it was Field Commander Cohen, the Shulgins, the Leary psychedelic revival in the 90s. Maybe they got me feeling the tree bark against my palms, grains of sand falling through my hands, got me thinking wrong about connections between all things and that to cause others pain was gonna happen, but wrong.

Maybe it was the Reverend Doctor Martin Luther King that messed this up for me.

© Eden Bloom 2025
https://linktr.ee/edenbloom2023

Vichy Detroit – Common Ground on Fire

Thursday, Nov 14, 2024 – Vichy Detroit – He awoke with a start. He hadn’t been sleeping well for the past few weeks. It wasn’t the result of the elections, it was the series of arsons on the block weeks before.

He hadn’t really been the same since the first fire. Jump-scared from a deep sleep by the house across the street engulfed in flames. The waves visibly altering space, like some fever dream scene, as though waking inside the burning eye of a mythical big bad guy. Heat waved oranges, reds, yellows and blackness fills the screen.

A chunk of me is back there, transfixed by the swirls. The rest of me awakes with a start. It’s the middle of November. The buildings that caught fire are gone or being worked on, cleaned up, made ready for what’s next.

The fallout from the election has found finger pointing instead of organizing and seeking solidarity. The disinformation worked, is working, will work in the oligarchs favor. You can track and analyze their progress by the changes they make to the sky – or you can keep looking down here.

The, “who could contest him?” white, write-in incumbent Emergency Manager announced he won’t run for Mayor again. Surrounded by his people, the light shown down upon him, he smiles, shrugs as he does, and says he’ll find ‘common ground’ with the fascists to do as much damage in 13 months as possible. It’s 7:33 am.

Hammer the Halo – The Wolfgang Press

Been carrying this song with me since it came out. The Wolfgang Press have always been in my top 10, but the older I get the higher they rise. This is my second TWP cover. Way back in the beginning of this experiment I did ‘Cut the Tree’    • Eden Bloom – Cut the Tree (The Wolfga…  

Here’s a visualizer I put together with footage of the Time Machine installation.    • Eden Bloom – Hammer the Halo Visualiz…  

These covers, (wonder how many I’ve done now?) some of them have characters/energies that seem inherent and are hard to shake. This one wants to drive. This is a draft and a more technical, less emotional, take because it always falls off the rails when I give it all over to the narrator. There is also an aspect to my strumming that I’m not able to manifest in the technical version. It’ll come round as I’m planning to document the evolution of this one here. My ableton is jacked up so I’ve not been able to multitrack this one.

Video: Visual Spell, walking the quarters from ‘Time Machine’ Installation (2019, Detroit) by Eden Bloom. Video production and editing by Eden Bloom Notes: Video of the Time Machines installation from 2019 over the most recent cover song. The land the Time Machine installation was built on was once Detroit Eastside General Hospital and is very ‘hot’ in the energetic realm.

Of course, I own nothing here but the audacity to sing a song I adore and make professionals cringe. Lol. Thanks for looking, subscribe and all that. ‪@EdenBloom2023‬ 🙏🏻 #80smusic#acousticcover#thewolfgangpress#twp#halo#hammer#4ad#4adrecords#coversong#covermusic

Lynchian Fantasy Trio

Been a minute…Still imperfect per usual, but maybe a little more collected with distance. “Just You” – 0:41 – James Marshall, Angelo Badalamenti and David Lynch (as based on a J.M. Interview Q/A that I’ll try to find again.) “Fantasy” – 2:59 – Aldo Nova    • Aldo Nova – Fantasy   “Into the night” – 7:28 – Julee Cruise, Angelo Badalamenti and David Lynch. This is a sketch. I own nothing but the notion of putting these together. Forget all that you see…

The Ancestor Dream

The Ancestor Dream by Eden Bloom

Some Notes – ‘The Ancestor Dream’ is an attempt articulate my perspective on ancestral relations. I am uncertain if others have similar experiences. The piece and this introduction are a monologue on the welcoming invites to ‘draw strength from ancestors’ or call their names into collaborative spaces I visit. Ancestral recognitions are often powerful, beautiful and, for what it matters coming from me, I perceive them as integral to cultural identity. This is not a critique; and a curse the audacity to offer one. Being ‘estranged’ from family while working to address social and political impacts of supremacist ideologies frequently finds me in meetings where I am one of a few, if not the only person who represents as ‘white.’ This being the case, I am hesitant and unsettled by invitations to bring ‘my people’ into the mix. This covid-influenced rendition of a recurring dream may foster understanding of why. ~Eden

The ancestor dream always ends the same way. I had the dream again last night. It is the same dream with variations on themes I have been having all my life. They tend to come when I am ill or in some form of transition. I find it interesting that I never remember what is going to happen when I am dreaming. I always buy into it completely.

Last night’s variant was a long-drawn-out adventure involving the storming of a mountain fortress. The interior revealed a 90s Fort Lauderdale high-rise/cruise ship with all the thrills of a 70s disaster flick, elemental, water, and fire, like ‘Poseidon Adventure’ or ‘Great Inferno’. High stress; having to navigate underwater tunnels, fires, and explosions. It is not always a mountain, sometimes it is a castle, or even a city.

I made it through. I always do and the calm should be disturbing after the struggle, but it is not. I step off the destroyed elevator into the penthouse and everything is washed away. It is always this calm here. There are transparent plastic walkways on the white carpeting. It is not bright, but well-lit and very continental; ornate frames white-washed. I am clean, wearing a sweater. As I make my way across the plastic, I see all the forms gathered are wearing sweaters.

I am greeted by my father’s mother who is a smile and a frown all at once. Her head, powdered cheeks, and rounded nose shaking “no” eternally. No love there, but contrary to the tick of her chin, acceptance. She is the gatekeeper and fades into the background once I am through. She is the only woman in these dreams. My father’s father is next, and he is all business; “‘bout time, boy!” He is short, round, and rough all over.

There is a hug and a slap reminiscent of a punch that pushes me and transforms the space into their basement office. It is all sweaters, stubble, cigars, and guns. The brick and iron gated wine cellar from the basement of the family home is perfectly replicated in every iteration of the dream. I touch the bricks hard every time, cutting small scrapes that bleed on the tips of my fingers every time. My father walks out of the cellar door, and we embrace.

It is sincere and it is always so real. We weep, howl, and hold each other for a long time. It is so good. All the conflict, all the violence, pain and suffering are just washed away and there is peace. Imagine, for those of you blessed with a frequent father’s hug, doing so for the first time; after never knowing it before. A guttural sigh/vibration that I only know in these dreams.

This part here, this is something special. There are more sweatered ancestors, grandfathers upon grandfathers. I am welcomed back into the fold. The things I negated are released, I am forgiven for my transgressions and the world is born again; washed in love and light. I bask in it for an extraordinarily long time. One could insert variations of the concept of paradise here; family, the gods, community, unity inside this mountain/castle/city.

It is incredibly healing. The warmth, the familiarity, the unity has rekindled my own skills and abilities. Though in this iteration of the dream we are still wearing these stupid sweaters, across the dream series we all become bigger physically, and there are more of us. It is slowly revealed that the mountain, the penthouse, the woodwork, even the plastic on the damn carpeting is threatened. Organized and militant, the call begins to rise: “now, that we’re back together we finally have the strength to protect the mountain for good!”

It usually hits me all at once, full force. I remember the rest of the dream. I know what is going to happen. I know how it is going to end, and it breaks me, hard, every, time. Suddenly the entire mountain is preparing for war. Thought it really is not war, it is mass murder, it’s genocide. All the villages and towns around the mountain are targeted. This is what we do to protect our peace, for unity, for warmth. I want this warmth more than anything. I just got it back.

From the time of this realization in the dream, it is always rough, disjointed, drawn-out and overdramatic. It is a painful unfolding. I sometimes attempt to negotiate; to appeal to their humanity. Sometimes I fake it and try to sabotage their efforts. I have dreamt this dream so many times. The ancestor dream always ends the same way.

Last night, I thought it was my grandfather that killed me, which is the easiest. He is so brutal. Sometimes it is my father who takes me out. Those are the worst because its straight up childhood trauma relived. But long story short, I always refuse to fight. They always kill me. My ancestors always lose the mountain, and I always wake in terror and grief.

The Ancestor Dream by Eden Bloom, © Eden Bloom 2024